Shawn Reviews Marvel Studios’ Black Panther

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I took in a Matinee of Marvel Studios Black Panther this Tuesday.

And I’m STILL NOT IMPRESSED.

Yes, Marvel Studios has given us a somewhat faithful adaptation of T’Challa. And while it’s true to the letter of the character, I didn’t see any of the Black Panther’s spirit in this film.

Black Panther is a very AVERAGE movie at best. It’s two-dimensional by-the numbers origin story of a hero in the Marvel Cinematic Universe that features all the standard features of a Marvel movie including the underdeveloped villain and a third act that falls completely apart. While it’s better than the horrible Spider-Man Homecoming, it’s not this milestone many in the Black community are making it out to be.

Yes, there are some great shots in Ryan Coogler’s film. And I liked seeing the use of Afro futurism in some of the special effects. However, the heavyhanded writing on this film prevents it from having a story that’s on par with some of the camera work. Instead of writing an objective and balanced screenplay with a solid story and a clear hero, Ryan Coogler gives us a biased screenplay that’s so misandristic and gynocentric a feminist like Alice Walker would say WTF?

Yes, T’Challa is a King in this movie.

But he’s not allowed to be a MAN in his own film.

Damn. Just Damn.

In Black Panther, T’Challa should be the lead character. The person who takes charge in the story. Who the film is framed around. Unfortunately thanks to Coogler’s gynocentric slant on the writing, the women of Wakanda are presented as the real heroes in this film. In almost every scene the men of Wakanda are emasculated and made to look weak. It pissed me off to see almost all the Black men in this movie with the exception of M’Baku being presented as soft, weak and emasculated. 

Yeah, they call this move Black Panther. But I didn’t see the King of Wakanda taking the LEAD in his own movie.

Damn. Just Damn.

Clearly Ryan Coogler comes from a single mother household with the way he puts women on pedestals in this movie. In Black Panther Black women can do no wrong and make no mistakes. These SKRONG Independent Black women are so tough they can beat down any man they confront.

The action sequences in Black Panther are decent, and many are fun to watch like the casino sequence, and the car chase. However, seeing T’Challa put in a secondary position in most of his own film sucks the energy out of the film and prevents it from actualizing its potential.

Black Panther is supposed to be a superhero movie. But he never really gets a chance to be a hero like his white contemporaries Thor, Iron Man and Captain America were in their movies. It was frustrating to watch T’Challa never get a chance to really have a decisive victory the way Tony Stark, Steve Rogers, or Thor, had in their movies. Either someone else like Ross, Okoye, Shuri, or Killmonger does all the things he needs to do in his movie. T’Challa was more a MAN in Captain: America Civil War than he was in Black Panther.

Shit.

In Christopher Preists’ Black  Panther comics T’Challa was is badass. But in this movie he’s one big pussy. In Coogler’s shallow two-dimensional story I didn’t see T’Challa using any of the leadership, diplomatic and critical thinking skills he had in the comics in any situation from the ritual challenges to his confrontations with Klaue or Killmonger in the final battle. All I saw was a guy who let women do his fighting for him and let a White man get all his glory in the climactic final battle of the film.

Nor did I see Killmonger as a credible threat. For a so-called well-educated military man with all this tactical knowledge he was extremely emotional. Him sending out an assault on the world so soon is not what a master tactician who had all this military experience would do. Instead of being a character, Killmonger was just presented as the embodiment of the White man’s fears of what a Black man would when given economic and political power.

And in order for The Black Panther to be a hero he has to be the “good” Black from Africa who protects the world from the crazy American N****er.

Don’t you just love how Disney presents Africans as superior to African-Americans. Throwing up a middle finger at its core audience of customers.

Fuck You Ryan Coogler. FUCK YOU. And FUCK YOU MARVEL STUDIOS.

Many in the Black community are celebrating Black Panther as a milestone. But I was deeply troubled by some of the imagery in this movie. From Killmonger’s thugged out dad in Oakland to the spears and grass skirts to the tribe with the plate lips, it seemed like Disney was passive aggressively trying to sneak as much racist imagery into this film under the guise of afrocentrism. Most of the audience was too spellbound by the White man’s images of Africa to notice the jabs taken at them, but I could clearly see the insults being made regarding Black people and Black American culture in this movie.

Yes, Black Panther is the first Black superhero movie to feature an all-Black cast in the Marvel Cinematic Universe. And while the color of the skin of the main characters is Black there isn’t much quality content as related to any of the characters onscreen. Catch Black Panther at a Matinee or a rental on DVD, but don’t rush out to see this mediocre movie. The way I see it Black folks deserve better than Black Panther.

The Case For Contemporary Goth Fiction

When people in the Goth Subculture talk about Gothic fiction they usually talk about books like Frankenstien, Dracula, The Penny Dreadfuls and authors like Edgar Allen Poe.

 However, most kids today have a hard time reading that shit.

Yes, most classic literature lays a foundation for all things Goth. However, the text is dense. And most of the storylines don’t relate to anything going on today in the subculture.

A lot of darkly inclined kids and babybats want to know what’s going on as related to the Goth subculture of the 1980s, 1990s, 2000s and today. But not that many writers are telling stories about those time periods. Instead many Goths take it for granted that someone else will write stories about the modern Goth Subculture.

That’s a dangerous thing for a culture to do. Because when someone else controls the media they can control the narrative regarding it. And instead of telling stories that present a balanced picture of a culture, the owners of those media platforms can use their stage to promote stereotypes and false ideas regarding it. 

The art and the literature are a commentary on a civilization and a culture. They are a snapshot of a culture and a people in a certain time. They are a reference that future generations will use to get an understanding of what happened during a period in history. As I see it, the Goth subculture desperately needs more writers producing literature to tell stories about the last 30 years of it so the kids of today and the adults of tomorrow can have a clear picture of what it’s really about.

I believe Contemporary Goth fiction literature can shatter stereotypes and refute false ideas many people have about the Goth subculture. And it can get more people to take a serious look at it. I believe if there are more writers writing stories that present a balanced picture of the Goth subculture the darkly inclined, baby bats, and the general public can take an objective look at it and come to their own conclusions regarding the Goth lifestyle.

One of the reasons why I wrote the books of the Spinsterella Trilogy was so that people could get a better understanding of African-Americans in the Goth subculture. When it came down to African-Americans in the Goth subculture there’s next to no art or literature to reference the contributions of Black people in the subculture. And I wanted brothers and sisters to know that there were Black people who were active in the Goth subculture and have been living this lifestyle for years. But as I take a look at the bigger picture regarding Goth fiction, I see the need for more authors to start telling stories about their experiences in the subculture.

Yeah, Goth is a primarily a music based subculture. But I’d love to see more contemporary Goth fiction telling the stories of everyday people in the subculture. I know there are a lot of great Goth writers out there and I encourage them to start telling their stories so kids of this generation can learn about the foundations of the subculture and see what’s great about them. 

The Legendary Mad Matilda Is Now on Kindle Unlimited!

The second part of the Spinsterella Trilogy The Legendary Mad Matilda is now available on Kindle Unlimited! So if you have a Kindle Unlimited subscription you can read this Legendary Goth story for free!

I’m trying to get new readers to try the Spinsterella trilogy, so this is the first novel I’ve put in the Kindle Unlimited program in three years. If things work out I plan on putting a few more titles in the program. I’m hoping to get Isis: Bride of Dracula into the program and some of the new SJS DIRECT 2018 titles too!

And in other book news I finally figured out how I want the E’steem: The Sands of Time Cover to look like. Since it’s a teen time travel Romance I want E’steem and John to be posed in as they stand in front of the Pyramids of Ancient Egypt. 

 I’m gonna try to see the Black Panther Movie next week. If I do there will be a blog and a review!

I’m trying to get back into writing regular blogs, but writing John Haynes: Taking Care of Business is a LOT of work!

Black Panther Box Office & Negro Dysfunction

Shawn Reviews Hack/Slash Vs. Vampirella #5

I picked up the final issue of Dynamite’s Hack/Slash Vs. Vampirella Miniseries on Dynamite Digital. After last month’s padded out fourth issue, I was hoping for a big finish to payoff the great story that had been setup for the previous three issues. Unfortunately, the fifth issue provided an anti-climatic finale to what was a promising story.

The final issue of Hack/Slash Vs. Vampirella starts with the Blood Red Queen of Hearts taunting the captured Vlad. She’s talking about how she hopes Vampirella will come so she won’t have to cut his heart out to summon the Mad god Chaos. Rapha Lobosco does a great job setting up tension with the images here, but everything falls apart after the third page. Once Vampirella and Cassie Hack come in to save the day the action in the story gets really uninspired. Instead of giving us all the fun and surprises of the first three issues we get a series of by the numbers action sequences that build up to one of the weakest climaxes I’ve ever seen in a comic book story. Endless snakes spell? Come on. That’s weaksauce for a satanic sorceress.

When I wrote E’steem Little Girl Lost I at least had the Devilish Diva beat up some demon strippers in the climax of the story to make things fun before Brimstone Jack tossed his cobra pimp cane at her. A bad guy defeat is supposed to feature a BIG FINISH; it’s supposed to be the PAYOFF for the reader. Hack/Slash Vs. Vampirella set up big stakes, but doesn’t payoff BIG for the reader in the final issue. Cassie Hack was expecting some supernatural fireworks with the defeat of the Blood Red Queen of Hearts, and so was I.

While the series ends with the promise of another possible team up between these two awesome characters, I’m hoping that Dynamite puts a little more panache as related to the storytelling in the next team-up. Shawn Aldridge did a great job of keeping Cassie and Vampi’s characterizations consistent, but I didn’t see any of his thumbprint put on this story. I guess Dynamite wanted it written generic, but the way I see it every comic book needs to be special.

A crossover mini-series is supposed to showcase what makes two characters great and give the audience an incentive to go out and buy more issues of their ongoings. Hack/Slash Vs. Vampirella could have been a great introduction to Vampirella and Cassie Hack and a gateway to bringing Hack/Slash into the Dynamite Universe, but the flat finale of this story prevents Dynamite from building the momentum needed to sell the next issue of Vampirella or a new #1 issue of a Hack/Slash series under the Dynamite imprint in the future.  

What really saves this fifth issue is the art. Rapha Lobosco really made many of the panels pop for the last issue. He does a great job of setting mood, tone and tension in the last issue, and the art is really strong in this fifth issue. The big splash of Cassie Hack being carried by a flying Vampirella reminded me of the scene in my novel The Temptation of John Haynes where E’steem flies John Haynes off the roof of the flaming Morris Phillips Tower. If I ever did a Temptation of John Haynes graphic novel that’s how I’d want the panel to look for that big climax.

I came into Hack/Slash Vs. Vampirella #5 hoping for a rebound from the padded out fourth issue, but wound up indifferent by a flat anti-climatic ending. While the ending is a bit meh, it’s still worth a read. If you don’t know much about Cassie Hack or Vampirella, this mini is a great way to get to know those characters and see what’s great about them.

Black Panther’s Fan Frenzy Ignores Black Comic & Fantasy Creators

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This week many Black people in the Black community are celebrating the premiere of Marvel Studios’ Black Panther. And while many have bought tickets to see the film, most brothers and sistas aren’t thinking about supporting many of the independent Black comic book creators and Black fantasy writers like myself. The greatest tragedy regarding the frenzy over the Black Panther movie is that while we celebrate Marvel’s first Black superhero come to life onscreen, many Black people are ignoring all the Black fantasy writers and Black comic book creators who have been working hard in the medium for years.

Black Panther is set to have a huge opening weekend on the week of Valentine’s Day. Unfortunately during Black History month most Black people are showing how little love we have for ourselves by spending so much money to see a Black superhero created by two White Jews. Yes, Black Panther will have a huge opening for the White executives at Disney, but what about all the Black creators like myself?

In the year since the Black Panther movie was announced, there’s been no surge of sales of Black owned Black fantasy like the Isis series or TheTemptation of John Haynes. Nor has there been a surge of interest in the work of other Black comic creators and Black sci-fi creators. From the looks of things Most Black people have been eager to give their money to Disney for the Black Panther movie, and Black Panther merchandise, but no one in the Black community has a comprehensive plan to bring readers and business to Black fantasy and comic creators, so they can bring some of those dollars back to the Black community so they can be reinvested in hiring other Black people for other projects.

Instead of Black people creating a comprehensive plan to put make the Black Panther movie work for Black people, most Black folks are just planning on spending all their money with Disney, not thinking about how those dollars will be reinvested in their own communities. Keeping 97% of Black dollars flowing out of the Black community and enriching White executives at Disney at our own expense.

Damn. Just Damn.

Worse, we have many teachers and principals at schools reinforcing this way of thinking by buying up blocks of tickets for Black Panther for Black kids. The message many tea sending to kids isn’t Black pride, but that anything Black only has a value if they’re supported by a White person or promoted by a White Corporation like Disney. If all those teachers and education officials spent as much money sharing the work of Black fantasy authors like myself in their libraries over the past year it would have had a have a huge impact on the minds of a generation of Black students all across this country. As those Black kids saw teachers putting Black first, they would learn to go out and seek out the work of Black fantasy and sci-fi creators all across this country, not just see Black Panther and Marvel’s brand-name characters as the end all for all things Black.  

It’s sad that since the announcement of this movie most Black people haven’t thought much about the work of all the comics, science fiction and fantasy from all the great Black creators out there. Because it’s Black fantasy writers and Black comic creators like myself who want to bring readers the next generation of Black heroes in the fantasy and comic genres. Every book we write and publish not only opens a black child’s imagination to see the world from a Black perspective.

However, we can only do that if we can receive support from the Black community. Every dollar a Black person spends on a Black fantasy title like an Isis series book, E’steem series book or a novel like The Temptation of John Haynes not only keeps Black dollars in the Black community, but provides creator like myself with the capital we need to improve the quality of our publications and do things like hire Black artists to design our covers, and advertise our products on media platforms like radio and television.   

It’s great that we have a Black Panther movie on the silver screen. But we have to start thinking Black first as related to the Black community. There needs to be a serious effort to make more Black people aware of the fantasy and comic books published by Independent Black creators, and a serious effort by Black people to support the work of Independent Black creators like myself. If Black people want to see more Black superheroes and fantasy characters in the media then we have to put Black dollars behind Black characters by Black creators before we go out and buy Marvel or DC. 

Isis: All That Glitters Concept Cover

Spent most of my weekend running errands and writing John Haynes: Taking Care of Business. But I Had a Sunday night free so I decided to sketch up the Isis: All That Glitters Concept cover. This image is based on the opening chapter of Isis: All that Glitters and features Golden Shine, the blonde bikini clad bank robber roughing up a surprised Isis just before she throws her through the bank window. I wanted to show the knocked out bank guard laid out on the floor in the background, but I can’t draw for crap. A lot of action goes on in this image and I think a pro would really do a great job telling the story I lay out here.

Isis: All That Glitters will be out…Sometime in the future. However, you can get caught up on the adventures of the goddess next door in paperback and e-reader by heading over to Amazon.com today!