I try to support Black programs whenever they air. However,
there are some shows I just can’t get behind. After stomaching two episodes of
ABC’s new sitcom Black-ish I can
honestly say it is the worst Black sitcom of the 21st Century. Literally
a modern day Minstrel show. Instead of Black-ish
they should call it Blackface.
Black-ish is about a
so-called brother from the ghetto who worked his way up and has finally gotten
his piece of the pie. And now that he’s gotten his piece of pie, he’s become
insecure and afraid of him and his family losing their Black identity as
they’ve moved on up and are now living in the suburbs. Basically, it’s The Jeffersons 2.0. Only not as funny.
Anthony Anderson’s character is cut from the same mold as George
Jefferson. A well-educated Black man who has all the trappings of success such
as a nice house, a nice car, and a six-figure job. Unfortunately, just like
George Jefferson he’s an idiot. If he doesn’t spend his time feeling ashamed of
being Black, he’s trying to keep his kids from “acting white”. All while he
buckdances, coons and chases his white bosses the same way George Jefferson
used to chase the never-seen banker Mr. Whittendale 40 years ago in every
episode looking for his approval.
What makes Black-ish
a minstrel show is the whole concept about a Black man being insecure about his
own Black identity. In Black-ish Anthony Anderson spends 30 minutes of every
epsisode apologizing to the “good white folks in TV Land” for being Black. And
then after apologizing to the White audience for being Black, he goes out and
does things to prove how “Black” he still is. And when he goes out to prove how
Black he is he participates in some of the most stereotypical and racist
behavior known to man.
If he’s not shufflin like a slave for his White bosses, he’s
getting emasculated by his Black wife. (Sorry, I’m not calling her biracial. Because
biracial is always BLACK in my eyes.) Or he’s getting outsmarted by his kids.
Or he’s being belittled and berated by his father. Instead of being treated
with the respect the leader and head of the family is supposed to have, he’s
treated like a pet dog.
Someone we laugh at instead of laugh with.
After stomaching the two episodes of Black-ish I had to wonder if I watching an old episode of Amos N’ Andy repackaged for the 21st
Century. Yeah ABC calls it Black-Ish. But
Shawn calls it Coon-ish.
It’s just painful to watch a so-called college educated Black
executive acting like a scared slave servant from 1914 in 2014. If a White man
dressed up in Blackface and acted the way Anthony Anderson did Jesse Jackson,
Al Sharpton, Louis Farrakhan and the Nation of Islam, The Black Fraternities
and sororities, the NAACP and the rest of the Old guard Negroes would be
protesting in the streets.
But because the Uncle Ruckus’ in Black Hollywood are the New
millennium minstrels we have them promoting coonin’ and buffonin’ as the new
standard for Black entertainment.
I miss James Evans, Heathcliff Huxtable, Phillip Banks and
Carl Winslow. All those Black men were funny. And they were secure in their
Black identity and their manhood. They didn’t apologize for Being Black. Because
they were proud of being BLACK.
Yes, Cliff Huxtable, Phillip Banks and Carl Winslow had
success. They had careers. But they knew they were men. They knew they were
leaders. They knew being Black was NOTHING TO APOLOGIZE FOR. They had the
confidence and sense of self-worth to go out in the world that hated them and
not be afraid of it. And they weren’t afraid of their kids losing their Black
identity. Because they instilled Black pride in them from BIRTH.
I have to wonder: Is this what the image of what Black men
has sunk to? Either we get this shine Anthony Anderson acting like a scaredy
cat slave or we get Power Simp Black Brutes like Colin in No Good Deed getting
emotional and acting super crazy over white women. Or we get Forrest Whitaker
being a shuffling servant in Lee Daniels’ The
Butler or anonymous Black men participating in perverted sexual acts like
the father in Precious.
The sad part is that this Black-ish
coonfest is produced not by White people, but by Black people. And Like Scandal, Precious, Monster’s Ball and
all of Tyler Perry’s minstrel movies it’s Black producers perpetuating the most
racist and degrading images of Black people to the world. In an age where Black
people have an opportunity to create any content and get it to the marketplace
is this the BEST Negroes can come up with?
I have to wonder what’s going on with Black Hollywood? Is it
something in the water? Have these rich Negroes become so disconnected from the
Black community that they don’t see themselves as Black anymore? Or are they so
scared of offending the White masses by showing them a realistic picture of
Black life that they feel obligated to put on minstrel shows?
We’ve had 14 years of non-stop Minstrels in America. And
almost all these sellout Black celebrities have co-signed this nonsense. And
sadly most of Black America continues to support it unconditionally.
Come on people.
I know it’s possible to produce better quality content
featuring the same themes as Black-ish
because I’ve done it myself. Twice. In my screenplay book All About Nikki-The Fabulous First Season I tackled the same issue
that Black-ish tried to explore in
its premise in the tenth episode of the series titled All About Black.
In All About Black
I made every effort to get people to understand race and identity in America as
it regarded to Black people in the upper economic classes. And while I tackled
such a sensitive issue, I managed to still put in jokes and humor while still
getting the point across that the there is no one single defining Black
identity in America.
And I also explored race and identity as it related to class in
my novel The Thetas. In that book,
Colleen the daughter of a Wall Street stockbroker is exposed to people who have
different Black cultural experiences as she pledges the Theta sorority. In an
incident in a restaurant hoodrats attack her and her Theta Sisters for “acting
white” for speaking well and dressing well.
In both books I showcase and feature rich upper-class Blacks
like the characters in the show Black-ish.
I still get my jokes out there.
However, I don’t have the characters apologize for being Black or being
ashamed of it. Nor do I have them pandering to white folks. In my stories my
characters are proud of their Blackness. Learning my lessons from The Fresh
Prince of Bel-Air, The Cosby Show, Sister, Sister and Family Matters, I make
every effort to humanize the characters so the reader can relate to them and
see them as people like them, not caricatures.
And people both Black, white and nonblack all over the world
have responded positively to both All about Nikki and The Thetas. It’s clear to
me that White and foreign audiences would be receptive to humanized images of
Black people.
Unfortunately, Black producers like Shondra Rhimes, Tyler
Perry, Lee Daniels and Anthony Anderson and Laurence Fishburne won’t produce
them. Why? Because it doesn’t fit the narrative of the White Liberals in
Hollywood who prefer seeing the usual stereotypes that make up the modern day
minstrel show that Black entertainment has become.
The way I see it Black people who achieve success are not
Black-ish, they are BLACK. And what makes them truly Black is who they are on
the inside. It’s because they are proud of their Blackness they earn the
respect of people all over the world. If the second and third generation of
Negroes currently working in Hollywood maybe would stop being cinema slaves and
stop putting on this minstrel show maybe we could start working on developing truly
positive images of African-Americans to inspire and uplift Black viewers in the
21st Century.
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