I didn’t waste my time watching the 2015 Oscars. But from what snippets I’ve seen the truth about how dysfunctional Hollywood is regarding race was on stage for the entire world to see. Coons like John Legend crying for Massa. And Academy Award™ winner Patricia Arquette looking for a way to deflect from the issue of race in Hollywood by talking about equal pay for women in AmeriKKKa. Oh, the things people do for those gold statues!
I find it ironic that Patricia Arquette wants to talk about equal pay for women when the Academy didn’t nominate Ava DuVernay, the Black female director of Selma for an Academy Award™ for Best Director. I guess equal pay for women actually means Equal pay for White women, because there was no equality in the way the nominations were handed out this year.
It’s interesting that the White liberals in Hollywood want to talk about equal pay for White women after the Academy and its Black female president snubbed Ava DuVernay and the cast of Selma by not giving any of them nominations on Martin Luther King Jr’s Birthday. All this talk about equal pay for White women is a wonderful way to deflect from race.
Using the White Woman as a buffer, the White Liberal in Hollywood avoids talking about race and his blatant racism against Black people in his actions and policies. And at the Oscars 2015 America’s White liberals both male and female showed what cowards and hypocrites they were on Sunday night.
You see when called on his racism, the White liberal goes out and gets his buffer Negroes like John Legend to be his first line of defense. And when their minstrel antics don’t pacify the American masses, he calls up his second line of defense, the White Feminist. The hope is most of the American masses will be diverted and divided by her deflections on sex and get into a gender war discussion.
And those who see through the smokescreen of sex and persist to call the White Liberal on his racism will be attacked with shaming tactics by his White Feminist and her Mangina supporters. In this offensive attack the White woman will make herself a victim, calling the person who challenges the White Liberal a misogynist, a sexist, a homophobe, and hater of all women. The hope is that the masses will use peer pressure shame the challenger into silence and shut down the discussion on race.
Clearly the members of the Academy think Negroes are stupid. And many, unfortunately have fallen for the game. Because most Negro males will sniff behind the backside of any White woman who looks their way, and most Negro females secretly worship her and hang on every word she says.
Patricia Arquette’s little bullshit Oscar Speech was socially engineered to take everyone’s mind off the Whitest Oscars since 1998 by making a victim out of the poor White woman. A White woman who stands right by the side of the rich White man. A White woman has benefitted the most from Affirmative Action since the late 1970’s. A White woman who benefits from all the privileges in the entertainment industry by either marrying wealthy White men in Hollywood or working right beside them.
Patricia Arquette made it look like she’s speaking about all women in her Oscar speech. But any smart Black woman knows that when White women talk about women’s issues they’re usually not talking about Black women. Again, Arquette’s speech is just a smokescreen to deflect from race in Hollywood.
A-list White Women today like Angelina Jolie and Sarah Jessica Parker are already paid just like the guys. And that’s because these A-list White women can open movies just like the A-list guys such as Will Smith, George Clooney, and Denzel Washington. Due to their ability to draw at the box-office they get the pick of top scripts. Some can even get a project greenlit. And most screenwriters want to write for them because it’s a guaranteed big payday for them. A script for an A-list White woman will pull a larger budget. And Three to five percent of a 100 million dollar production budget for a movie with a White female lead is a lot more money than three to five percent of the five to eight million dollar budgets most Black movies usually get.
As I stated before in my All About Marilyn blog, the Black actress is at the BOTTOM of Hollywood. She is the least paid in all of Hollywood and the LAST to get a project greenlit. And that disparity has to do with profits, not gender. Again, the Black actress is at the BOTTOM of Hollywood because she is considered the highest risk at the box-office. No smart studio executive is going to pay a Black actress $20 million a picture when she can’t even open movies with $8 million budgets. Moreover, she doesn’t have the star power to recoup the budget in the U.S. Nor does she have the international appeal to help a film open in foreign markets.
And the White Supremacists in Hollywood will never allow a Black actress to make equal pay to White Women or to have films with budgets on par with their A-list starlets. Hollywood is the propaganda arm of White Supremacy and they make their money promoting and selling the image of the White Woman as the ideal standard for beauty for the world to follow. Having a Black woman establishing a standard of beauty that is her equal is bad for the business of White Supremacy. As long as women all over the world are chasing the White Woman’s standard and Black men and nonwhite men are chasing her tail, White Supremacists are guaranteed to control the economies of the world.
If these White men in Hollywood were serious about equal pay for women, they’d be out giving the all the Black women they dated and married like Whoopi Goldberg, Tamera Mowry, Karyn Parsons, Halle Berry and Persia White leading roles in A-list movies like Angelina Jolie, Melissa, McCarthy, and Sarah Jessica Parker get. They’d be greenlighting projects with Black women in lead roles just like they do for Angelina Jolie, Melissa McCarthy and Sarah Jessica Parker. They’d be making every effort to elevate the image of the Black woman to be equal to that of the White Woman.
And instead of Black women playing the Jezebels like we see on Scandal, Empire and Monster’s Ball, we’d be seeing Black women playing complex roles like those Patricia Arquette and Amy Adams just won Academy Awards™ for.
But White women like Patricia Arquette don’t want Black actresses playing those parts. Because on a level playing field they’d have competition for those acting jobs. And most White feminists don’t like things being equal. As the Cheerleaders of White Supremacy, these hypocrites like to cry and complain about sexism to White men while they participate in racism against Black women.