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Saturday, July 30, 2016

Shawn’s Thoughts On The Wonder Woman Trailer

She's NOT in the Trailer!

Along with the Justice League Trailer, Warner Brothers debuted a Wonder Woman trailer at San Diego Comic Con. At least that’s who they want us to believe this female is. This isn’t the Princess Diana of Paradise Island. She’s Conan with a clitoris.

There’s a powerful Amazon on the screen of this so-called Wonder Woman Movie. And her story starts just like the story of Wonder Woman with a guy named Steve Trevor getting his plane shot down and crashing near a place called Paradise Island. There a girl named Diana finds him, hears his story and wants to go to man’s world to help him fight the war. 

It kind of sounds like Wonder Woman’s origin. But as you watch the trailer you soon realize something is wrong. The setting for this so-called Wonder Woman story is 1917, World War I, not the World War II the real Wonder Woman made her debut in. And Paradise Island isn’t a place of peace filled with a group of relaxed, happy-go-lucky women who have built an advanced society with technological wonders like the Purple Ray or the Invisible Jet. No, these women are aggressive females who live for violence and war.

Nor is this Princess Diana been granted powers by ALL the Greek Gods. In a butchering of the character’s history, Diana is now the daughter of Zeus, not a child made of clay and brought to life by the gods. What makes Wonder Woman distinct is that she gets her life and her power from all the Greek gods. The beauty of Aphrodite. The wisdom of Athena. The speed of Hermes. All the stuff that enables her to do all those feats and Wonders.

 And this Princess Diana strays from the mission of the Wonder Woman in the comics. She isn’t disguising herself as a Yeoman in the United States Navy who desires to be near Steve Trevor and the action so she can help men and women out during the war. Nor is she a diplomat who knows how to use her grace and social skills to facilitate amicable relationships with foreign powers as a representative of Paradise Island and the U.S Military. The kind of woman who tries to facilitate a peaceful resolution to conflict and only uses violence as a last resort.

 No, this woman needs to have a sword and shield to do most of her wonders. A magic lasso just isn’t enough for her to fight straw men and paper tigers.

Worse, this Princess Diana lacks the heart and compassion of the real Diana of Paradise Island. The woman onscreen expresses no love or caring for much of anyone. She’s colder than a block of ice in Antarctica. In most of the frames she’s an aggressive bully with an attitude. The kind of woman who overcompensates for her insecurities being around men by wearing her sword with an evening gown. The kind of woman who doesn’t value being a woman. The kind of woman who wants to be a man and take the place of a man in society. Basically, Conan with a clitoris.

What was in that trailer was what Social Justice Warriors and Third Wave Feminists imagine Wonder Woman as, but not who she truly is. There’s a lot more to Wonder Woman than the surface. Unfortunately Warner Brothers didn’t dig deep enough to show it in that trailer.

Yeah, Wonder Woman is a feminist concept created by William Moulton Marston. But what I saw in the trailer betrays the spirit of the character he designed. Marston wanted to create a female hero with the strength and power equal to male heroes like Superman, but knew inside and out she was a woman.  While we saw the wonder onscreen, we didn’t see what made her a woman.

And that’s what’s wrong with the new Wonder Woman movie. The woman onscreen is physically strong and powerful. But Wonder Woman’s greatest strength comes from being warm, caring, compassionate, and understanding. Yes, she can hold her own with the men while fighting the bad guys. But what makes her GREAT is how she is a friend to anyone who asks for her help. It’s hard to see the character Gal Gadot plays having any of Wonder Woman’s heart and love for humanity.

 Yes, Warner Brothers Wonder Woman looks like an entertaining action packed period film. However, it lacks any warmth, heart or personality. It’s a cold indifferent viewing experience that doesn’t capture the essence of who Wonder Woman truly is. What you see onscreen is Gal Gadot in a costume that kind of looks like Wonder Woman’s playing a character that acts like she’s a fusion of Conan and Xena. A woman we’re told is an Amazon. Unfortunately, she’s not the ambassador of peace and goodwill Wonder Woman is. For all the Wonder onscreen, Warner Brothers forgot all about what makes Diana a great woman.

As a guy who writes strong heroines like Isis, E’steem, Colleen Anderson, and Matilda Crowley, I was really disappointed by the Wonder Woman Trailer. Instead of Wonder Woman fans getting a story about Princess Diana a woman who displays the strength of character to do what’s right for others, we get a movie featuring a self-righteous hypermasculine female who does what’s right for herself. That’s not the kind of hero I believe William Moulton Marston envisioned Wonder Woman to be, and I don’t think it’s the kind of hero a girl should aspire to become.

It’s a shame that Warner Brothers won’t produce a movie that DC fans can’t get behind and get excited about. Maybe if Warner Brothers would let their characters be themselves and stop trying to change their characters to fit some director and some executive’s vision of them, fans might have a reason to spend money on a movie ticket at the box office.

Wednesday, July 27, 2016

Shawn’s Thoughts On The Justice League Trailer

I guess The Flash is wearing Fractal Techgear in the movie!

Warner Brothers debuted The Justice League Trailer at San Diego Comic Con last week. And while Shawn can’t afford a trip to SDCC, he can go to a Library and catch that same trailer on YouTube. And when I saw that trailer I wasn’t impressed.

I didn’t think it was possible to surpass the crappiness of Batman V. Superman, but here we are.

Warner Brothers’ executives fear was all over that screen. In a desperate attempt to copy Marvel Studios’ films we have Warner Brothers’ executives trying to turn the Justice League into The Avengers.

Unfortunately Justice League ain’t the gonna be in the…League of anything Marvel Studios has produced so far. Justice League is just AWFUL with a capital A. 

Here’s the plot: A big menace from Apokalips or somewhere in space is coming to Earth. And Batman and Wonder Woman are recruiting a team of heroes to take it on.

Really? A $400+ million budget and this is the best Warner Brothers’ screenwriters can come up with?

Damn. Just Damn.

I remember seeing this plot in about a dozen Saturday morning cartoons and lame Japanese Animes in the 1980s.


It’s embarrassing that Paul Dini and Bruce Timm can produce a Justice League movie that captures the heart and spirit of what DC’s heroes were all about for basic cable but a director like Zack Snyder can’t produce a quality film with Oscar winning screenwriters and a budget that’s three or four hundred million dollars.

With the tools Warner Brothers has and the money they spend they should be able to produce a fillm on the level of Marvel Studios The Avengers, Avengers: Age of Ultron, and Captain America: Civil War. But due to insecurity, a lack of creativity, and an adherence to an archaic approach to 1980s-1990’s filmmaking, 2016 DC Comics superhero films look like something the Salkinds made in the 1980s.

Seriously, everything about this film is just JUNK. I didn’t see the spirit or the heart of what DC heroes were in that film. In those jumbled frames I saw a bunch of people TELLING the world why they were heroes instead of SHOWING us why they are heroes. And that’s a big problem with Warner Brothers Superhero films. They TELL instead of SHOW.

We have people telling us Aquaman helps people by giving them fish. We have Aquaman standing in the hall looking tough. I’m sorry that’s NOT GOOD ENOUGH to get butts into seats. I want to see Aquaman in the water, standing on top of a whale cutting a look at Batman before asking him what he wants.

And those frames with Barry Allen? Ripped Straight from Captain America: Civil War. Everything in those sequences stolen straight from the scenes Tony Stark had with Peter Parker.

When a director has to imitate instead of creating his own frames, you know a film is in trouble creatively. With a film like Justice League Zack Snyder should be showing us how he tells a story. But with his back to the wall he decides to copy the Russos.

Good Gravy.

Here’s a thought: How about hiring The Russos to direct a Justice League movie? It’d probably be better than this.

Warner Brothers desperation shows in every frame of that trailer. Each scene of Justice League tries desperately to capture the energy and spirit of a Marvel Studios film. Warner Brothers knows it’s two going on three flops (Man of Steel, Batman V. Superman, Suicide Squad) and they need a hit.

It ain’t gonna be this movie. Justice League is just shit thrown at a wall.

Seriously, this is THE BEST Warner Brothers has to offer DC Comics fans? A warmed over 1980s Saturday morning plot, Bad acting and horrible CGI? Oh, and let me not forget that shittacular Flash costume. It’s embarrassing when CW’s own TV show can create a better costume than the production of a major motion picture with fifty times the budget.

Even this Total Justice action figure variant from a 2-pack looks better than that Flash Costume Warner Brothers made.

DC Comics fans deserve better than this half-assed attempt at movie making. For years they’ve been waiting for a film that’s on the level of a Marvel Studios film. And sadly all Warner Brothers executives does is throw shit at them and hope, wish and pray they’ll enjoy they’ll stick around and continue watching.

Oh, I’m not done. The Wonder Woman movie Trailer is gonna get ripped a new one in the next blog!

Tuesday, July 26, 2016

Isis Vs. Wonder Woman- How They Are Different

Thursday, July 21, 2016

Diversity At Marvel And DC…Where?

Asian Hulk
Female Thor
Black Captain America
Black/Latino Spider-Man
Black Female Iron Man
Latino Blue Beetle
Black Firestorm
Black Female Huntress

You would look at all these major characters at the Big two and think there would be a major step in diversifying both universes.

But that’s not the case at all. These characters are just tokens who will be discarded once the gimmick stops being popular.

On the surface it looks like Marvel and DC are making a serious effort at diversity. However, when one looks at who is on the payroll Marvel and DC today it’s still 95% White males.

And because the creators of these “diversity” heroes are STILL 95% White males no one can really take this attempt at “diversity” seriously.

If White Males creating these so called “diverse” heroes of different ethnicities, then where is the diversity?

If the big two were really serious about diversity they’d be serious about hiring more minorities behind the scenes to write and draw their comics. There are thousands of talented writers and artists of color like myself who would have been interested in working for them.

But instead of looking at our portfolios, the White Males at the Big Two would rather pretend to promote diversity in a passive aggressive way by oversaturating the market with poorly developed, poorly designed knock-offs of White characters. And then when these characters fail to catch on, blame the readers for not buying said characters.

Meanwhile, characters of color that have built a following like John Stewart, Steel, Mal Duncan, Battle Star, Pulsar, Vixen, Mr. Terrific, Icon, Static and countless others remain unused and ignored by the Big Two.

Perhaps if the big two made a serious effort towards hiring writers and artists of color they could be a bit more creative with the existing characters in their catalogs. Maybe they could build a bigger following for those well-known characters I mentioned.

But it seems the White Males at the Big Two don’t want any Black heroes overshadowing their icons the way Static was starting to back when Static Shock was on the air. The whole idea of a Black hero made by a Black man being as popular as Batman and Superman  scares the shit out of many comics creators.

Why? Because one of the last fiefdoms of White Supremacy would be dismantled. Superhero for some in the comic book business and some comic fans means White Males being superior to everyone. A Black creator working on White superheroes shatters that ideology of White males being superior. The whole idea of a Black man or woman controlling the fate of a White male hero is a scary concept for many in the comic book business.

And the whole idea of creators of color coming into their workspace and creating better stories and better characters makes them uneasy.

Instead of creating a Black version of a White hero, how about the Big two go out and hire talented Black writers and artists to work on their comics. That would be a serious step in the right direction towards diversifying the comic book industry.

Monday, July 18, 2016

RiRi Williams, Marvel's New Mary Sue

There’s a big controversy over RiRi Williams the Black female Iron Man. However, once a reader looks past the flash, they see there’s little substance. 

Structurally, RiRi Williams is a poorly designed character. Basically she’s a Mary Sue in an Iron Man suit. What’s a Mary Sue? A character who knows everything, can do anything and everything based on whatever situation the writers throw her into. Because that character is a cipher who represents the writer in a fantasy world like the Marvel Universe. 

Looking at the foundations for this so-called 15-year-old genius, she’s just too smart for her own good. And the foundations for her creation are virtually implausible even from a comic book perspective.  

Some will argue that 15-year-old Peter Parker made his own webshooters. Yeah, gifted and talented kids that age can create small simple devices like that. And the formula for Spider-Man’s webbing would be fairly simple to create with basic household chemicals and stuff like rubber cement. 

Others will argue that Reed Richards created all sorts of inventions when he was younger. But he didn’t become Mr. Fantastic until he got bombarded with those cosmic rays. And he didn’t refine his inventions until he got older. 

And a few will debate that Tony Stark was a brilliant inventor even when he was a child. But Tony Stark spent years inventing and creating and learning from his mistakes before he even came up with the Iron man armor in that VietCong camp with Professor Yinsen. And over the years he refined his tech improving it with each passing year going from cogs gears until it evolved into a micro-circuited mesh armor featuring advanced computers and weaponry such as repulsors and pulse bolts. 

In each of those cases we saw a natural and organic progression to these characters development and growth over their character transformation arcs. But you’re gonna tell me RiRi Williams at 15 is so smart she’s gonna be able to hack Abe Zimmer’s tapeworm, hack Stark Enterprises’ private security files and find the specs for Iron Man’s Armor and start building her own suit? 

I’m sorry that’s Mary Sue Territory. 

Even 15-year-old Tim Drake in A Lonely Place of Dying wasn’t this smart. Yes, Tim deduced Bruce Wayne was Batman in that classic story. And he figured out Dick Grayson was Robin and there had to be some sort of tragedy that led to Batman being solo. But after he put on the Robin suit to take on Two-Face in that junkyard it still took him two YEARS of training before he was ready to put on his own Robin costume. 

And in that time he had to prove himself against Bat rogues like KGBEAST, King Snake, Lady Shiva and the Joker. The big problem with RiRi Williams is that she isn’t a well thought out character. I just can’t believe a teenager, even a genius who goes to MIT can build an entire suit of Iron Man armor. Having been on a college campus, I know most dorm Singles are the size of a walk-in closet. If Tony Stark needs a lab at his corporation to build his armors, where would she have the room to keep the equipment and tools and computers to keep that kind of equipment?

Moreover, where would she get the money to make this suit? Iron Man suits must cost millions of dollars. Even crude knock-offs are gonna cost a couple of thousand bucks. Even with Workstudy this kid ain’t got that kind of cash. And she wouldn’t find these kinds of tools to make an Iron Man Suit at the MIT Bookstore. 

And when would she even have the time to even build this armor? Even geniuses need time to sleep and eat. Not to mention going to class. Yeah, Tony has time to tinker with the Iron Man suit he built. But he owns Stark Enterprises. He has other employees working for him running things so he can focus on bigger stuff like building Iron Man suits and saving the world. 

 Like Wesley Crusher in Star Trek: The Next Generation and Rey in Star Wars: The Force Awakens RiRi Wiillams just knows too much and can do too much. She’s underdeveloped and poorly thought out. Who needs Tony Stark to be Iron man When RiRi Williams is just as smart as he is? Who would need Reed Richards in a couple of years? With the direction this character is headed she could be the next Wesley Crusher building her own starship. 

When I look at RiRi Williams she shows me how little Brian Michael Bendis knows about Iron Man. Instead of crafting stories utilizing Tony’s rogues and supporting cast, he creates this Mary Sue to overcompensate. Yes, she’s a black Female. And she’s got on an Iron man suit. That’s the flash that gets people’s attention.

But she lacks the foundation for a solid character transformation arc. Good characters have strengths and weaknesses that can be fleshed out during their character transformation arcs. It’s their flaws and imperfections that allow us to connect with them and identify and relate with them. If a character knows too much and can do too much early on there’s no room for them to learn and to grow.

That prevents the reader from learning and growing with them. Taking away from the reading experience. And giving the reader no incentive to care about their adventures. 

I know Marvel is desperate to add some diversity to their ranks.  And Black readers are desperate to see characters of color in Mainstream comics. But poorly thought out poorly designed characters don’t help diversify the marvel Universe. In most cases these “Colored” versions of White characters just get lost in the shuffle like Battle Star did in the 1990’s. If Marvel wants to diversify their universe, then create an original Black female character with tech-based powers. That’d sell more comics in the long run than creating another Iron man knock-off that’ll be forgotten in three to five years. 

Friday, July 15, 2016


Okay, I’ve been really busy. Right now I’m working on two projects: The Spinsterella prequel Spellbound, and a nonfiction project inspired by a series of YouTube Videos I did called Why You shouldn’t Hire a Mangina. When I did those videos I realized there were a lot of Simps in the workplace. And I wanted to teach men why they should STOP SIMPIN in the workplace.

Every year men put their careers at risk Simpin and trickin on the job. And they cost their companies billions of dollars in sexual harassment lawsuits and losses from crimes like embezzlement and fraud in their quest to chase the panties of some female on the job. I’m hoping the STOP SIMPIN in the workplace book will help men understand why they need to put themselves FIRST on the job. Because the only person looking out for a man on the job is himself

Anyway, here’s a sample chapter of the book I’m hoping to have out by either the holiday season or early 2017.

Chapter 18 (Tentative)
The Dangers Of He Said, She Said Situations

One of the most dangerous places for a man on the job is working alone in an office or part of an office space with a woman. In those situations a man doesn’t have anyone around to witness what goes on between them. If there’s some sort of workplace issue or personal issue between them, a man can find himself in between a rock and a hard place.
Simps think being alone with a woman in the office is actually a good thing. They believe if they’re alone with a woman they’ll have an opportunity to make a powerful first impression on her. And if an innocent conversation that turns sexual or happens to escalate into horseplay between him and a woman he’s getting brownie points with her.
He has no idea that he may have possibly signed his own pink slip. In some cases he may have even have signed his own arrest warrant. What most Simps don’t know is that being alone with a woman in an office creates a he said she said situation. And in that situation it’s his word against hers.
And usually in the workplace Human Resource managers are going to take her word over his.
Simps don’t understand that predatory women love situations where they are alone with men. Because they know they can turn them to their advantage. Predatory women love getting people’s emotions riled up. And they use people’s emotions to turn herself into a victim and him into a villain. And because most workplaces are gynocentric and most HR people will favor the female, she knows he doesn’t have a leg to stand on in a he said, she said situation on the job.
Predatory women will use he said she said situations to set themselves up for a sexual harassment lawsuit or civil lawsuit. And with only two witnesses they usually win. Because it’s hard for a company to argue against a sobbing woman on the witness stand.
Smart men make sure they keep their professional interactions with women public. And they make sure there are always witnesses around when they are working with women. If they have to work in private with a female they always bring another female employee with them to witness their interaction. Some men make sure to have some sort of recording device on like a Smartphone to have a visual and audible record of their communications. The more evidence a man has to protect himself from a he said, she said situation, the safer he’ll be in the workplace.