Many of the people who say Black Iris
West and Black Mary Jane won’t change how they see the stories of the Flash and
Spider-Man. But I have to really wonder if the color of a characters’ skin
really does change people’s perception of the contents of a story.
I propose that question because when I
look at what happened with CW’s Flash I clearly see how the story of Barry
Allen clearly was changed because the race of Iris West’s character was
changed. When Iris West became Black, it had a ripple effect on Barry Allen’s
story and the story of one of his major supporting characters’ Wally West.
Instead of us getting the story of ten-year-old Wally having an uncle he looked
up to and admired, what we got was the story of a Black teenager from the
streets who grew up in a single mother household hidden away from his father.
The contents of what made Wally West’s character great got lost because of this
need to focus on the color of his skin and a pitiful attempt to add diversity to
the Flash lore.
Understanding how the color of a
characters’ skin changes the story in a White Superhero world I also wonder if
the color of a characters’ skin would change the perception of a character’s
story in a Black fantasy one. Back in 2011, I published The Temptation of JohnHaynes. And the image I presented on the cover was E’steem seductively reaching
for John Haynes’ bow tie. I have to wonder if people would see the exact same
story told if E’steem were a White woman. Would they see that same story of
Temptation and seduction I was trying to tell? Or would they only focus on race
of the two characters like they did with Iris West and Mary Jane?
Many who have read The Temptation of JohnHaynes know a White E’steem would completely changes the story from my original
premise. Yes, the letter of the story about a demon rediscovering her humanity
would be there, but the core message of the story would be gone. I doubt the scenes
where E’steem is being exposed to modern Black culture like the Black Elite at
the Ujamaa Conference or the racism she dealt with during her encounter
shopping in Manhattan and her argument with John afterward would have the same
emotional resonance with an audience when her ethnicity was changed from Black
to White.
Instead of people seeing the relationship
between John and E’steem and seeing the content of their characters, much of the
audience would only be focusing on the color of their skin. And instead of
people relating to E’steem as a person, they’d just see her as a “White Devil”
trying to corrupt the soul of a “Righteous Black Man”. The entire story of a
demon seeing a man showing her an example of Christ that reconnects her to her humanity
on the two-way street between good and evil, would be changed into one about
race overnight.
Just as Black Iris West has compromised
the CW’s Flash’s story, and Zendaya’s Mary Jane compromises the Marvel
Cinematic Universes’ Spider-Man story, a White E’steem would totally betray the
foundations of the original concept for the character and her story. The
E’steem character I designed was supposed to be the Black female antithesis to
John Haynes’ Black male hero. The foundations of the character were rooted in
Ancient African Culture and modern Black culture. E’steem’s appearance was
inspired by actress Salli Richardson Whitfield, a Black actress. And the
narrative of E’steem’s character was designed to sound like Salli’s voice. Just
like it would be morally and ethically wrong for Black actresses to play the
roles of Iris West and Mary Jane Watson, I believe it’d be morally and
ethically wrong for me to let a White actress play the role of E’steem in a
Temptation of John Haynes movie.
As a creator I’d want other creators to
do unto my work as they’d do unto mine. I don’t want to see other characters
ethnicities changed because I don’t want anyone changing my characters
ethnicities. Because when a characters’ ethnicity is changed from what the
creator intended it to be, it changes the content of the story and the way the
characters in that story are perceived by the audience.
And it changes the message of that story
completely. Instead of the audience understanding the lesson the original
creator wanted to teach in that story, they get a muddled message that waters
down what they’re supposed to learn. In some cases like The Flash, the audience
winds up becoming more confused by the changes than anything else, because the
changes don’t feel organic to the story.
The way I see it, there’s no real need to
change a characters’ ethnicity in these film and TV adaptations. Especially
when there are existing characters of color that are ready to be adapted and be
a part of their stories. Who needs a Black Iris West when there’s Chunk? Who
needs a Black Mary Jane when there’s Robbie Robertson, Glory Grant, Hobie
Brown, and Rocket Racer? All these characters are easy to adapt to the silver
screen and would add diversity the same way Black Panther, War Machine, and
Falcon added diversity in Captain America: Civil War.
Yeah, there’s a need for more characters
of color to be represented in the world of Sci-fi, fantasy, and comic books.
However, when diversity is shoehorned into a characters’ story it prevents
people from seeing what makes a character great. Instead of readers focusing on
the story and how great it is, people are arguing about race and skintone.
As a fantasy writer I know there are
certain essential supporting characters in a story that have to be a certain
ethnicity to be who they are. The color of their skin is intrinsic to the
content of their character. If their race is changed, the characters’ story is
changed. And instead of a translation of the comics to the screen, the audience
just gets an imitation that looks and sounds the same, but doesn’t have any of
the heart or spirit of the source material it’s supposed to be adapting.
You can pick up The Temptation of John
Haynes on Amazon.com in paperback or in eBook on Amazon, Barnes & Noble or
Smashwords. It’s fast paced action packed fantasy that reads just like a comic!
Wait a minute,
ReplyDeleteJimmy Olsen, Lana Lang, Mary Jane, and Iris West...
I think I may have stumbled onto a conspiracy here. It's not that they are changing these characters black for diversity, it's they are trying to change any character who was originally ginger. There is clearly a ginger bias at play here. Makes sense because as South Park told us, gingers have no soul.
Whoa, you do have a point there. But did they change Lana, last I knew, she was engaged to John Henry Irons, which sounds better than the disastrous Pete Ross marriage.
ReplyDelete-John
I meant Lana on smallville, but then realized she wasn't black (Laoian I think).
DeleteOh, you mean Kristen, that Lana. That clears things up.
Delete-John
Well, I share the concern. Marvel and DC lack the storytelling effort. The previous Spider-Man movies also left out MJSA at home with her family too. I am guessing that Marvel Studios assumes this will just blow over. It sure won't for some people, myself included.
ReplyDeleteThat is because Marvel Comics spent years on her, doing a bit at a time. Movies, not so much, buthey the fact that they are not repeating the origin story gives opportunity, which they likely will squander, given the quality of the storytelling
Delete-John
Just hoping Marvel Studios doesn't blow it. But with them miscasting this role I don't have much faith for this film.
DeleteI guess this isn't new, but they changed Benjamin Urich on the Netflix Daredevil show.
ReplyDeleteReason #45 on why I don't like live-action adaptions of comic books.
ReplyDeleteI'm more concerned with the casting of bad actors like Zendaya and Kristin Kreuk and Sam Jones than with the color of the actors.
ReplyDelete