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Saturday, February 9, 2013

A Writer’s Confidence


When I first started out writing in the mid 1990’s I had a lot of insecurities regarding my writing. I used to be afraid of sharing my work with people out of fear that they wouldn’t get it. That they’d ridicule it. That they wouldn’t think it wasn’t good enough. And even that they’d hate it.

I’ve had family members get downright angry regarding my stories. The drama and arguments over I’ve had over things like plot points, character actions and even the skintone of some characters would frustrate me at times. I felt if I was going to get heat from family over stuff like this then I’d really catch hell over it with readers.

That fear almost kept me from submitting to publishers way back in 1998. But I got over it.

Over time I realized I had to believe in what I wrote. I knew what I was writing about and I couldn’t let the insecurities, color complexes and personal issues of family members prevent me from working towards my goals as a writer.

No story is going to be perfect. And not everyone a writer shares their story with is going to like it. Chances are most people a writer shares their work with is going to suggest they change some story element or another. And there’s no way to please everyone.

A writer has to have the confidence to stand by their work. To make their stories the way they imagined.

When a writer shares their work with others it’s a very sensitive time for them. Some feel vulnerable and scared. Many writers become anxious because when they share their work with others it’s like sharing a part of themselves with the audience. For those who haven’t developed a thick skin it can hurt when some people harshly criticize their work.

But a writer has to learn how to build their resolve. And in building that resolve they have to learn how to differentiate between constructive criticism that helps them become a better writer and ad-hominem attacks from jealous people.

I learned a hard lesson about a writer’s confidence back in 2008 with the Cassandra Cookbook. Way back in 2006 and 2007, many agents told me I didn’t have enough depth to the story. That it didn’t have enough detail. That the story wasn’t right for them.

Trusting them instead of believing in what I wrote, I changed things to try to please them and get that book deal with a major publisher. It was the biggest mistake of my writing career.

When I self-published the book in 2008, the audience didn’t like a single change I made. While they enjoyed the story, they thought the paragraphs were wordy and over detailed.

If I only had enough confidence to believe in what I wrote I could have had a breakthrough novel. The story was that good. Unfortunately, I just didn’t believe in it.

Still smarting from the failure of The Cassandra Cookbook, in 2009, I submitted All About Marilyn to several screenplay contests to get some feedback. Most didn’t like it. One analysis I got told me that they’d cut 30 pages from the script. The same analysis also didn’t understand why Tabatha disfigured Marilyn and thought the New York sequence was where the story fell apart for them. Another told me that I didn’t go far enough with the story. Those readers also had problems with the scenes of her life in New York. And a third told me that I needed to re-write the entire first ten pages.

But this time I felt confident enough in my writing that I didn’t change a thing. And when I published the book, audiences fell in love with the story. And many of the scenes the screenplay contest readers hated like the scenes in New York and the romance with Eric regular readers loved.

Because I stuck to my guns and was confident about what I wrote All About Marilyn became my breakthrough book. It was the title that caused many to notice me and take me seriously as a writer.
All About Marilyn became one of my more critically acclaimed titles and one of my more popular stories. Whenever I offer it for free as part of the KDP Select program it’s the #1 screenplay on Kindle with hundreds of readers rushing to download it every time it’s offered.

With Cassandra, I let my insecurities ruin a great story. But with all About Marilyn I believed in what I wrote and stuck to my guns. I was confident enough to know what I wrote and why I wrote it.

You as a writer have to have the same resolve. If you know what you’re writing about you and why you’re writing about it, stand behind those words. Because if you don’t believe in what you wrote, then how can you convince others to read it? And if you don’t care about what you wrote how can you get others to get passionate about buying a book featuring your writing?

A writer has to have confidence when they present their work to the public. Whether it’s submitting queries to literary agents, self-publishing a paperback or an eBook or even writing a blog, a writer has to feel secure enough in what they put on the page to stand behind those words.


 

Wednesday, February 6, 2013

American Women Have Had Sex with 60 to 80 men on Average WTF?


I was doing some research when I learned about a disturbing statistic:

The Average American Woman today has had between 60 and 80 sexual partners before she turns 30.

Wow.

That’s a lot of dick. I mean a lot.

 Shawn hasn’t even jerked off 60 to 80 times in the last five years. Yes, Shawn has amazing self-control when it comes to his manhood. And that’s why he’s so disappointed with the American woman. He thought she had a much stronger resolve.

But 60 to 80 men by the age of 30? Just…wow.

30 years ago those would be the number of men a porn star slept with in her whole two to three year career. And that’s including the casting couch.

50 years ago that’d be the number of men a prostitute slept with in a quarter of a year.

With those numbers, if most American woman had an odometer on their vaginas it’d probably say TO BE CONTINUED.

I’d have to say those statistics are fairly accurate. If one counted down from the number of men and boys a girl has had sex with since she was about 12 or 13 (the time girls usually become sexually active in America) it’d come out to about 60 or 80 men by the time she turned 30.

If this is thecase, an American woman’s pussy has been run through about as much as the 4,5, and 6 trains going through Grand Central here in New York here in a couple of hours.

After reading these statistics I can honestly understand why European, South American, Asian and Islamic men call the American woman the biggest whore in the world. Who has sex with that many men? And what kind of society would consider being that promiscuous normal?

Seriously, after getting pumped and pounded down by that many men can a woman even feel anything between her legs? How does she even know that she even has a penis inside her after having so much sex with so many men?

I’d think that her vagina would be numb after being penetrated s by that many men.

Now I understand why the venereal disease rates in America are so high. Why there’s so much herpes and HIV among American men and women. Why our abortion rate is close to 60 percent here in the Bronx alone.

And I also understand why American women aren’t considered marriage material by most American men. What man wants to marry a woman if she’s giving herself away to just about every man who will buy her a plate of dinner at a restaurant or buy her a cup of coffee? What does that say about her values? Her character? What man would want to build a family and a life with a woman who sells herself so short and values herself for so little?

Is all the American woman has to offer a man is what’s between her legs? Whatever happened to what’s between her ears? Whatever happened to things like personality, character and spirit? What happened to courtship? Conversation? A sense of humor? Charm? Charisma? Or is it just all about bumping uglies for the American woman?

Now I understand women are very sexual. And sexual expression is a natural part of life. But there has to be more to male-female relationships in America than sex.  

Personally I find Pussy to be overrated. As I see it, there are practically two hundred million vaginas out there in America. And they’re practically all the same. It’s the person they’re attached to that’s who is most interesting to me. I can’t get to know her if she keeps putting pussy in my face.

Besides, when it comes to vaginas, after years of wear and tear from sexual misuse and abuse they’re broken down and worn out. How can a man feel anything when she's not only physically numb but emotionally numb as well?

Here’s a question I want to ask American women: If a woman tears her body down pleasuring a bunch of strangers how can she provide sexual pleasure to the man who would become her husband?

She can’t.

God never made women to abuse their bodies like this. Sure the Vagina is a resilient organ, but I know it wasn’t designed by our Lord to be used like an expressway for multiple penises to run through. God made our bodies to be temples for the Holy Spirit to dwell in. To lie down with so many different people is turning God’s temple into a toilet bowl. A filthy disease encrusted toilet bowl.

No wonder most of these American women are so crazy and emotionally unstable these days. With each sexual encounter a woman has with a man she gives a part of herself away emotionally. And by the time a woman gets through having sex with 60 to 80 men who don’t care about her, she’s emotionally disconnected and spiritually empty on the inside. When she meets the man who could possibly be husband material in her late 20s and early 30s  she’s got nothing to offer him mentally, emotionally, or spiritually because she’s given all of herself away to every Tom, Harry and Dick Johnson out there.

American women need to see how they present themselves from a Real Man’s perspective. What Real man wants to be involved with a woman who uses her body as a toilet bowl? What Real man wants to bring such a woman home to his mother to present as his future wife and life partner? What Real man wants to tell his family and friends he’s marrying a woman who has herpes, HIV, mental health issues from emotional issues, or illegitimate children by other men?

Sure, we Real Men aren’t expecting to pull a virgin on our wedding night. But we’d like to think we could find a woman of decent values and character when we do think about making a long-term commitment like marriage. A woman who has been with 60 or 80 men isn’t someone I’d want to bring home to my mother and my family to present as my future wife. Nor is she someone I’d want to build a home and family with. She’s someone I’d make every effort to avoid.

Ladies, Sex is more than physical act. It’s a mental emotional and spiritual connection that two people share when they want to express their love and affection for each other. Value yourself enough as a woman to only share the most intimate parts of you with those who see you from the neck up, not the waist down. God didn't make your body to be a toilet bowl, so stop flushing yourself down the drain with these men.  

Monday, February 4, 2013

Isis: The Beauty Myth Chapter 3




I somberly stare at my reflection in the glass of the framed black-and-white photo myself in the Ebony Fashion Fair ad from 1958. Fifty years ago I was the face. Now I’m in the shadows peddling overpriced designer greasepaint to their grandchildren.
If I hadn’t been born during Jim Crow I could have been one of the greats of the fashion world instead of a forgotten footnote in Black history. If I had my youth and beauty in this age, I could have given the great models of this time a run for their money. And with my inimitable style I could have even been more popular than they were.
I wish I could get out there, be like I was in my prime. Instead I’m stuck in this office managing a face-painting factory instead of being the face selling the paint to the masses. Sure the extensive knowledge of dermatology and biochemistry I’ve acquired over the past fifty years have made me one of the richest Black cosmetic manufacturers in the world. But for all my constant efforts, I’ve yet to find the formula of chemicals that would allow me to return to the runway.
The computer on my glass-topped desk chirps a prompt. It looks like the BeautyScan software at the Madison Avenue store has picked up something. I grab my mouse and click the BeautyScan icon on the monitor. In an instant the statistics pop up on the screen.
This can’t be possible.
But these CarbonDNA results say one of these women is over four thousand years old and the other is close to two thousand years old!
It can’t be a glitch; I had our IT specialist check the equipment for that store just yesterday. Everything has been working fine for the past two hundred BeautyScans. All the data I collected on those women has been consistent with normal human aging. But this aberration proves my theory was right. There is a way to retard the aging process. Maybe even a way to reverse it.
I’m eager to see who these two ancient strangers are. I move my pointer over to the Security icon and click it. In another instant I’m shown the security footage of the two customers being assisted by one of our salespeople. The tall voluptuous brunette almond skinned woman in the red dress and heels doesn’t look a day past twenty-five, and her slender golden skinned chestnut haired companion in the jeans, sneakers, and sleeveless blouse doesn’t look a day past eighteen. What could they be possibly doing that has them looking so young?
This data requires some personal investigation. I jump out of my seat, hit the button on my intercom and get the attention of my secretary. “Jenny, have the car meet me downstairs. I need to go to our Madison Avenue store.”



Isis: The Beauty Myth Chapter 2

After Isis finishes filling out her mailing list card, Melinda rings up our purchase and slips our lipsticks in separate bags. As Isis drops hers in her Brooks Brothers shopping bag, I catch the frown on her face. I don’t think she was having a sticker shock from the lipsticks, I think she was feeling uncomfortable about her own femininity.
As we head out of the store and start heading up Madison Avenue, I catch her forlorn eyes with my smile. Maybe I can cheer her up. “You want to go get some lattes at Barnes & Noble?” I ask.
“Nah, I think I’ve spent enough money today.” Isis sighs.
“Still reeling from the sticker shock?”
“Er…Yeah. We just spent what people spend on groceries for a week on two lipsticks.”
“I don’t know why you’ve got the case of buyers’ remorse, my wallet is the one taking the hit.”
“Hit? It’s more like a knockout punch.” She snaps.
“Maybe we ought to get back to your place so you can recover.”
A flash of light takes us from the bustling streets of Madison Avenue to the living room of Isis’ apartment in the Lenox Terrace. Isis drops her shopping bags in the center of the sofa and flops down onto the cushion next to them. I ease into the cushion on the other end of the sofa and cross my legs. When I look over at Isis she huffs a sigh and folds her arms. This must really be a sore spot for her.
“Are you gonna be pouty about a little tube of lipstick?” I ask.
“I’m not pouting. I’m brooding.” Isis snarls.
“I don’t see why you’re so upset. You just spend a over a thousand dollars at Brooks Brothers.”
“Yeah, but I can use this suit more times than I can that lipstick.”
“Hey, never underestimate the value of good make-up.” I reply. “A color that works for your face will get worn more than that suit ever will.”
“I’d feel more comfortable with my crimson scarlet.”
“I think the Coral Red is more you.”
Isis gives me a quizzed look. “Since when did you get into make-up like this? I always thought you were an intellectual.”
“Well, I didn’t get the title of the fairest woman in Egypt with my face buried in a scroll.” E’steem replies. “Queen Isis taught me a few things that helped me earn that title.”
Isis gives me a piqued look on the revelation. “I never thought you two were that close.”
“We had a pretty good relationship.” I reply. “Don’t you and the Queen ever talk about this kind of stuff?”
“Not really.”
“As close as you two are, I thought she’d have shared some of her beauty secrets with you.”
“Make-up has never really been my thing.”
“Well, I think it could be something if you gave it a try Princess.”
“Er…I’m a princess in the technical sense-”
“Well, it wouldn’t hurt for you to flaunt some of that royal beauty sometimes Your Highness.”
“Not with make-up that makes me look like a court jester-”
“I think you could look quite elegant if you made an effort-”
“Elegant? I can’t even get that blasted tiara to stop falling in my face-”
“You could make it work for you if you incorporated it into your own style-”
“I have found my own style.”
“I don’t think Jeans and T-shirts are fitting attire for a goddess who calls herself the Daughter of Knowledge.”
“Y’know I didn’t really need to be so stunning to do my Sword of Nubia duties-”
“Well, I think it’s time you explored your softer side Princess.”
“I think my traditional New Heliopolitan look works for me-”
It does work for everyday labors. But I’d love to see her something a bit more regal sometimes. “I think you’d look great in a pleated gown-”
“With this skinny body? I’d be swimming in that thing.”
“I think you’ve got the hips for it.”
“I’d have the hips for it if I had your hourglass figure.”
“Hey, don’t put yourself down-”
“You look more like a goddess than I do.”
If she only saw me when I got up in the morning. “There’s more than one way to look like a goddess. You just have to find a style that fits you.”
 “Maybe you can show me some looks that I could try tomorrow night.”
There’s a way two sisters can connect. “Is that an invitation?”
“I’d like to think the former fairest woman in Egypt could show me a thing or two about creating a new look for my new role as the Daughter of Knowledge. Do you think John can give you the night off to help me with my fashion dilemma?”
“I think he can manage an evening without me.”
“Great. I’ll provide the gelato-”
“And I’ll bring the fashion magazines.” I say jumping off the sofa and disappearing into a flash of light.


Sunday, February 3, 2013

Isis: The Beauty Myth Chapter 1





E’steem gets the door for me as I march down the steps of the Brooks Brothers flagship store carrying shopping bags and a garment bag. This new suit, heels, and blouse I just bought are going to leave a powerful first impression on Professor Saunders when I go to interview with him this Friday.
We’re headed down Madison Avenue when E’steem stops and stares in the tall glass window of a small designer boutique on the corner of 46th Street. I peer up at the brown and beige striped awning and wonder what’s so special about Sepia.
“What’s got you like a kid in a candy store?” I inquire.
“Make-up made up for us.” E’steem replies.
“Wow, I never thought I’d see a designer make-up store for Black people on Madison Avenue.”
E’steem’s brown eyes light up as they meet mine. “Shows us how far we’ve come as a people. If you really want to make a lasting impression at that interview you have to wear this make-up.”
If Sepia’s beauty products can make a satisfied customer out of someone as attractive as E’steem then maybe it wouldn’t hurt for a plain Jane like me to take a look.
E’steem gives me an eager smile as she opens the tall glass door of the upscale boutique. As we walk onto the sales floor, an antiseptic smell hits me in the face and bright fluorescent lights are hard on my eyes. The stark white décor of the store’s layout are a harsh contrast to the colorful packaging of the make-up and perfume on display. Is this a make-up store or a hospital?
“Should I page Dr. Welby?” I inquire.
My question is answered by an eager salesgirl who approaches us. The tall attractive Latina dressed in blue medical scrubs, white sneakers, and clear goggles smiles at us before going into her sales pitch. “Well, we take a scientific approach to cosmetics here at Sepia.” She tells us.
I guess one size doesn’t fit all when it comes to make-up anymore. I didn’t know there was so much complexity to modern cosmetics. I glance at the girl’s plastic nametag and find out how much the world of beauty has changed over the last thousand years.
“Well, why don’t you tell me about Sepia’s scientific approach to cosmetics Melinda.”
On hearing her name, Melinda’s eager to show me what she’s learned during her day of on-the-job training. “Sepia’s cosmetics are designed by Dr. Raheema Sanders to specifically deal with the skin issues of African-Americans and to accentuate the colors of the distinct skin tones of women of color like yourself.”
“And what would those issues be?”
“The skin of women of color, especially Black women is much more sensitive than those of other races.” Melinda continues. “So we’re more susceptible to skin issues such as acne, blotching and blackheads.”
Thankfully, I’ve never had those issues in the past two thousand years. Then again, I don’t use that much make up. All I’ve ever used over the past six decades is lipstick. Revlon’s Crimson Scarlet is all I’ve ever needed to add some color to my face these days.
“And your cosmetics are supposed to help with those issues?” I ask.
“Customers who use our products report a significant reduction of skin issues. Would you like to watch some testimonials?”
“We’re just gonna look around.” E’steem says.
“Okay. If you need any help I’m here.”
E’steem and I peruse the shelves. While she scans the colors of the lipstick selection, I flinch looking at the price tag on one of the tubes I pick up. I don’t think I could pay that much for a stick of red colored grease and wax.
E’steem smiles slyly as she catches the reflection of my grimace in the mirror of the lipstick display. “I’m guessing that’s not your color?”
“It’s not my price.” I answer. “Seventy-five bucks for a tube of lipstick?”
“It’s not that much.” E’steem dismisses.
“Only if you make a hundred million dollars a year.”
“Or if your boss gives you an expense account.” E’steem quips.
I doubt I’d have one of those as a lowly Columbia adjunct. “And as the assistant to a CEO you have to leave a strong first impression on international clients. Don’t you feel it’s extravagant to spend this kind of money on make-up?” I continue.
“Hey, this is a Black-owned company. I’m just doing my part to give back to the community-”
At these prices I think Raheema is taking too much from our people. “You don’t have to give back so much. “I could never spend this kind of money on makeup-”
“What? You never liked stuff like perfume and make-up growing up?”
I wish. Being a slave I couldn’t afford those kinds of luxuries. “I didn’t get into that stuff until I left Nubia. Being a tomboy, I spent most of my childhood hanging out with the prince and his guards.”
“So you were just one of the guys?”
“Well, Osiris did want a son.”
E’steem laughs as Melinda approaches us again. “Ladies, are you finding your shopping experience at Sepia satisfactory?” she asks.
Man, she is pushy. “I’m enjoying myself Melinda.” E’steem says. “Do you have the new Sepia Sensations Amber Red lipstick?”
Melinda fishes through the sticks and hands her the tube. “Here it is. Would you like anything else?”
“I’m about done. Do you want anything Isis? My treat.”
After getting a sticker shock looking at seventy-five dollar lipsticks, I’m afraid to check the price of any of Sepia’s other merchandise. The medical staff here might need to wheel me out of here in on a stretcher. “I’m good.” I reply.
“Might I interest either of you in a BeautyScan?” Melinda asks.
“BeautyScan?” I inquire.
“It’s where we capture your facial features in our computer and it comes up with the colors that are best for your skintone. While Amber Red might look good on you, we may have other colors that may be more flattering.”
I’m up for seeing what I’d look like in Sepia cosmetics. Not like I’d buy any, but a BeautyScan sounds lot cleaner than trying on lipsticks someone previously smeared on their mouth. “I’ll give it a try.” I tell Melinda.
“I’m up for it.” E’steem replies.
Melinda leads us over to a pair chairs in a corner of the store. As we take our seats in the booth, she drops plastic bonnets over our faces and gives us instructions. “Now you’ll just feel a little warmth from the LEDs of the scanner. It’s nothing to worry about. Just give us a smile and I’ll be able to show the best products for your skin color.”
Melinda presses a button on the computer station next to me. In a few seconds an array of warm red lights shines on our faces. When the stream of lights end, Melinda strolls over and eases the bonnets off our heads.
“It’ll just take a few minutes to get your information in the computer.” Melinda tells us.
We hop out of the BeautyScan chairs and head over to the monitors next to the BeautyScan station. The screens show images of our smiling faces. “Before I go any further and show you the cosmetics that would be best for your skin colors could I have your names?”
“I’m Isis.”
“Like the Egyptian goddess?” Melinda asks.
“You could say that.”
“And I’m E’steem.”
“As in self-esteem?”
“You could say I have a healthy self-confidence.”
“You have to in order to take a BeautyScan.”
Melinda runs the pointer over E’steem’s picture and clicks the red bar under it. With the exception of eye shadow, the photograph doesn’t change.
“Well, E’steem the computer says that the best colors for your face are our Amber Red lipstick, our Almond Bronze foundation and some Egyptian Kohl eye shadow. But it looks like you already use the Almond Bronze foundation.”
E’steem smiles at Melinda. “I don’t use any foundation.”
“Then you must have flawless skin. I could have sworn you used our Almond Bronze.”
“Lipstick is all I use.”
Melinda turns to me. “Well Isis, it’s your turn.”
Melinda clicks the red bar under my picture. My face is shown wearing foundation, eye shadow and lipstick that makes me look like a clown. “Isis, the computer says that the best colors for your face are our golden Bronze foundation, Coral Red lipstick, Nubian Green eye shadow, Kohl Black eyeliner and a glisten glow bronzer to bring out your cheekbones.”
That sounds like about five hundred dollars worth of merchandise. And from the looks of the finished results it doesn’t seem like their products are worth the price. I’ll stick with my old beauty routine.
On giving the sales pitch Melinda gives us eager looks. I think she has a big commission riding on it. “Would you like to try some of the suggested products?”
“Maybe another time.” I say.
“I’ll just take the lipstick.” E’steem replies. Are you sure you don’t want anything Isis?”
I’m not really into this makeup, but I’ll just buy something so we can get out of here. “You can get me a Coral Red.” I sigh.
“Changed your mind?” E’steem asks.
“Your treat remember?” I retort.
Melinda grabs the Coral Red lipstick from the display, takes the lipstick from E’steem and walks around the sales counter. Before she rings us up she makes one last pitch.
“Would you like to get on our mailing list?” She asks. “It’s the best way to learn about all our new products. Plus we offer a chance to win a one hundred dollar gift card every month in our Sepia Royal Raffle.”
I need more junk mail in my life. Besides, it’ll be fun to see if I win the raffle. That’s probably the only way I’d be willing to buy another tube of their lipstick when this one runs out.
“Where do I sign up?” I ask.




Isis: The Beauty Myth in paperback

Isis: The Beauty Myth on Kindle


Isis: The Beauty Myth Now Available in paperback and on Kindle!

Glamorous! Raheema Sanders, 85-year-old CEO of Sepia Cosmetics seeks to find a way to reverse the effects of aging on herself. Learning that Isis is more than human, she has the goddess kidnapped and taken to her secret lab so she can learn the beauty secrets of the gods. However, when she comes face-to-face with the goddess she soon learns Isis’ beauty is more than skin deep.


Isis: The Beauty Myth in paperback

Isis: The Beauty Myth on Kindle


And to celebrate the debut of Isis: The Beauty Myth, I'm cutting prices on the other paperbacks in the Isis series! (well, the ones I publish)  Pick up all the new  Amazon-exclusive Isis paperbacks  in the Isis series for just $5.99 each!

Isis: Amari's Revenge


Art Attack! Isis comes face-to-face with danger when a statue of Queen Amari comes to life on the floor of the Metropolitan Museum of Art. Returned to life through a magic spell, Amari seeks revenge on the woman she believes stole the heart of her Prince and her kingdom two thousand years ago. As Isis works with her estranged sister E’steem, she seeks to extend an olive branch to the bitter Queen. Will she forgive and forget? Or will she continue to hold onto her two thousand year old grudge and finally mete out her vengeance on the goddess of retribution?


Isis: The Ultimate Fight.

Girlfight! Nemesis, the undisputed Queen of the Octagon is hungry for competition. After defeating twenty-four of the world’s best MMA fighters, she’s out to prove to both man and god that she’s the best in the world. Traveling to the Island of Solitude she issues a challenge to the goddess Isis to fight her in the eight-sided chain-link roofed steel cage where the only way to win is to knock your opponent out. It’s a war of the gods as New Heliopolis’ Sword of Nubia takes on the Greek goddess of Retribution in a no holds barred brawl for it all.



Isis: Trial of the Goddess


For the first time since the trial of the evil god Seth three thousand years ago, The Court of the Elders of New Heliopolis is brought to order. Ra, Chief Justice of the Elders issues a warrant for the arrest of Isis, the long-lost illegitimate daughter of Osiris. In the aftermath of a horrible tragedy, she’s brought to court to be tried for crimes against the gods. Crimes punishable by death. Will the gods offer her a second chance to be redeemed? Or will she suffer the same fate as Seth?









And don't forget the book that started it all 10 years ago!  (not on sale, but you can pick it up for a reasonable price!) 



Isis

In the aftermath of a horrible tragedy, Isis the long-lost daughter of Osiris, has committed a heinous crime. Because she didn't receive guidance from her father, the elder gods show mercy on the young goddess by stripping her of her powers and imprisoning her on an uncharted island in the South Pacific. 
Osiris and Isis reunite with his long-lost child to begin the difficult process of establishing a familial relationship. Hoping to guide Isis towards the greater destiny she's supposed to fulfill, her parents begin teaching her the ways of the gods. However, Seth's herald E'steem lurks in the shadows offering the young goddess freedom for a price. Caught in the middle of a never-ending war between the gods, Isis must choose to either return to the troubled world she knows all too well, or take a journey down an unknown path where faith is her only guide. 

Friday, February 1, 2013

Shawn's Vision For the Next Level for the American Comic Book Medium

All over the world comics are seen as a storytelling medium for all genres of fiction. In places like Japan a reader can get stories in genres like fantasy, sci-fi and even contemporary fiction genres like romance. However in the United States the comic art form is mainly used primarily in genres like superheroes and teen comics like Archie. Because of this narrow focus by American publishers over the past 50 years the comic art form hasn’t actualized its potential in America as a storytelling medium.

Much of the artistic growth of the comic storytelling medium in America was suppressed in the 1950s after congressional hearings. Many publishers fearing being censored by the government scaled back their genre comics like mystery, western and romance for children’s fare like superheroes and teen comedy.

And when they scaled back to meet the standards of the comics code they sanitized the content. Because most commercial comic books were often associated with children thanks to their colorful artwork, images that could be considered sexually or graphically offensive were toned down in the hopes of not being a negative influence on most of the children who bought them.

In addition to the standards for content, that growth has also been hampered by publishers rigidly holding to an archaic 32-page format that prevents artists from telling more complex stories. Even though the technology exists today to produce paperbacks up to 720 pages in length, comics still are published in short 32-page volumes.

I believe that it’s time for the comic storytelling medium to break out of its archaic obsolete structure to allow for a form that will allow it to tell richer more complex stories. Growing up I’ve seen examples of what happens when writers and artists are allowed to take the comic medium to the next level such as Maus, Love & Rockets, The Dark Knight Returns, Road To Perdition, Return to Perdition,  and Watchmen. And I feel that we need more stories like this to get American people to take the comic art medium seriously as a storytelling vehicle.

I feel that readers of all ages could enjoy comics in America the same way Japanese, South American and European readers do. In those countries, Comics are published in numerous genres and enjoyed by readers of all ages.

I’ve read Japanese comics with adult themes and complex plots. I’ve read South American comics with adult content.

But in America these comics are the exception, not the rule. They’re usually the product of independent publishers, niche divisions  like DC Comics Vertigo, and self-publishers. Mainstream publishers like Disney’s Marvel and DC Comics main divisions won’t explore these genres out of fear of poor sales. That keeps the comic medium from growing into the serious art form that it is in other parts of the world.

My vision for the comic book in America is a book combining the rich complex storytelling of a novel with the cinematic visuals of film and the distinct nuances of  a painting. Comic book writers already use elements of storytelling that screenwriters and filmmakers use to make movies. I feel they should be given the opportunity to tell their stories the same way filmmakers are.

Comic book artists sometimes expand into stronger more expressive visuals on occasion. Many comic artists are solid painters in addition to being pencillers and inkers. And painters like Alex Ross and Joe Jusko have often been called upon to create striking visual covers and other materials in the promotion of comics. In a technological age where books can feature millions of colors I think it’s time to give these artists an opportunity to tell a complete story in different forms of mixed media in comics more regularly.

I’d really like to see the comic industry focus more on graphic novels with self-contained stories instead of 32-page serials. A graphic novel allows writers and artists an opportunity to tell, deeper, richer and more complex stories. Without the limitations of a comics code, a page count or a next issue, the artist and writer can have the freedom to let their stories flow the same way novelists and screenwriters do from beginning to end. When a novelist like myself tells a story we aren’t hindered by page counts or page quotas. We usually tell our story from beginning to end and the reader can enjoy them from first page to the last.

I also believe in a graphic novel format, they could tell stories with pictures with more artistic expression. The way I see it a comic artist could get the flexibility to get as creative as a painter, cinematographer, storyboard artist or a photographer in crafting scenes for their stories. Those artists are often allowed the opportunity to tell stories with pictures comic artists aren’t in America.

I believe a comic on the next level in the United States would be like reading a great American Novel but only with pictures. In those pages a writer and artist could tell a story with all the great literary elements such as irony, foreshadowing, symbolism. Artists could create complex visuals with the nuanced imagery of films and paintings. Together they’d be able create characters with the multidimensionality and complexity of their literary and cinematic counterparts.

With the cost of 32-page comics currently $3.99 a copy I feel it’s been past time for publishers to shift from publishing comic books to graphic novels. Most readers today prefer trade paperbacks and hardcover omnibuses because they cost less and provide a higher entertainment value per dollar. Most retailers prefer trade paperbacks and omnibuses due to their longer shelf life and durability. And most publishers and self-publishers prefer trade paperbacks and omnibus hardcovers because they’re cheaper to produce. A 200 page paperback only costs about $4.50 to print at LightningSource. And a 400 page paperback book only costs $5.60 to print. With a markup and retailer discounts these volumes offer publishers a much higher profit margin than 32-page comic books.

But the only thing holding back a transition from telling stories in comics to graphic novels in America is the American customers’ adherence to tradition. Most American comic readers are stuck in the habit of buying 32-page comics and only buy reprinted material in the paperback or hardcover format. Moreover, they’re stuck on the focus that comics are only for genres like superheroes and teen hi-jinx instead of more complex storytelling like drama, adventure, romance or fantasy.

With the high cost of printing and limited retail opportunities for 32-page comic books I think it’s time to return to publishing original comic content in the graphic novel format. Back in the 1980’s Marvel Comics experimented with the medium with mixed results due to their being pricy back then. But in the 21st century I believe it would be met with tremendous success as comic consumers consider them for their value compared to the expensive 32-page comic book.

Could the graphic novel help take the comic medium to the next level? I think it could. Readers are always looking for new material. And if it’s compelling enough they’ll give it a try if it’s well written and visually captivating.