Yeah, this blog is a week late. But I needed a minute to
digest all the sights I saw at New York ComicCon last Thursday. And I saw a LOT
at this year’s show. It was so much I had to keep from having sensory overload.
I had a GREAT time at New York Comic Con. I Saw Austin St.
John of the Power Rangers, Wrestlers Ted Dibiase, and Ron Simmons, and a bunch
of cool Goth stuff like a Tea & Absinthe booth and people selling Steampunk
top hats, goggles and Corsets.
And I saw kids. Lots and lots of kids. Kids having a good
time. Kids having FUN. The place was Jam packed. On a Thursday. The slowest day
of a con. And it was Jam packed with CHILDREN.
Moreover I saw lots and lots of families. Families who were
having a good time. Families who were sharing their childhood hobbies and their
favorite characters with their kids. The whole Javits Center smelled like
popcorn and smiles. However, in August the comic book industry reported the
lowest sales in its history.
Clearly there’s a disconnect between the comic publishers
and the audience they sell to. And from what I’ve seen for YEARS and many indie
creators see at cons, the audience is there to revive the industry and get it
out of the 25-year slump it’s currently in.
But most Comic publishers still have their heads up their
collective rear ends.
Here’s my question to Dan Didio and Axel Alonso and all the
publishers in the comic book industry: If there are so many families and
children going to events like New York comicon and Spending billions of dollars
watching superhero movies, WHY THE HECK AREN’T YOU PRODUCING CONTENT FOR THEM?
From what I saw at the New York Comic Con there’s a HUGE
audience ready willing and able to buy comics out there. An entire new
generation of potential fans waiting to get into Marvel and DC Comics and the
indies. Money in the bank.
But no one will produce content for them.
WTF?
The big problem with the comic book industry is that they’re
still stuck in the past. DC is stuck in a two going 3-year storyline to fix 11
years of problems Dan Didio Created. And Axel Alonso is trying to sell comics
to SJWs who are too busy downloading free eBooks on Kindle and Smashwords.
Meanwhile the rest of us who love comics have been waiting
patiently for content that’s appealing to families and children. Content that’s
PG-13. Content that’s easy to access and fun to read. Content that’s FUN.
It’s clear that the audience is there, but the content
isn’t. And most publishers are so hellbent on publishing what they want they
can’t see the audience waiting to spend money with them.
Clearly the audience is there for comic books. And most
parents want the iconic versions of characters they remember to share with
their kids. But most publishers want to ram their New N’ Improved versions down
people’s throats even though no one recognizes them and most people reject
them.
And that’s where the short circuit is between comic
publishers and the audience. Someone has to reconnect the audience to the product. But it
ain’t gonna be Dan Dido or Axel Alonso. Events like Rebirth and Legacy aren’t
going to bridge the gap between the next generation of readers and publishers
because they feature more of the same dysfunctional storytelling readers are
tired of.
Comic publishing is a business. A business that sells
product by word-of mouth. It’s hard to get word of mouth going when people just
can’t recognize the product. People want the heroes they grew up with Superman
with Red Trunks, a Spider-Man who’s Peter Parker and parents and kids feel
comfortable about reading.
From what I saw at Comic Con I know that there are millions
of kids and adults on the sideline waiting to get into the hobby or get back
into the hobby. And all they’re waiting for is someone to break out of the
endless cycle of yearlong events, reboots and relaunches and just give readers
great comics. The audience I saw at New York Comic Con showed me that money is
waiting to be made selling comics and all the industry needs is one person to
have the courage to go out and make it.
Once again, the publishers don't get it. I am not sure if you mentioned competition in other media, but comic books are terrible in comparison to the competition. A video game covers more story territory in a month spent playing it (for people who play and save the game in shorter increments) than a comic book does. A TV Show covers story arcs quicker than a comic book does. Even worse, TV is cheap now with the monthly subscription to Amazon digital video or Netflix and tons of superhero shows going on. As far as I am concerned Rebirth is another Crisis Event by DC, and no matter how much you want to sugarcoat it, Dr. Manhattan is being used like Superboy Prime. Then with Marvel, if they made character transitions not so many all of a sudden and did far less character assassination on classic characters, fans would be less offended at what Marvel was doing.
ReplyDeleteIron Man, Spider-Man, etc., are okay to have junior hero equivalents. But it's clear to me that Marvel threw a whole bunch up all of a sudden. Also, DC shouldn't have such a convoluted continuity that they need to change so much all the time, and should be focused on making Young Justice comics or even comics based off the Justice League Action show on Cartoon Network (basically another Superfriends cartoon) to figure that they would get a wider audience by adding some PG-rated material as opposed to Joker ripping his face off like Texas Chainsaw Massacre or Dr. Manhattan altering the universe with his piss.
-John
-John
Companies are producing stuff for kids. The issue is everyone only looks at the big two. You have comic book stores that won't order the books yet have no trouble over ordering Marvel books and then bitch about them not selling.
ReplyDeleteYou got too many folks giving Marvel hell because they can NOT accept POC as heroes-LEGACY or original creations.
For all that crying-that would have been a GREAT time to showcase other company books that are doing it "right." Not sit up and cry about Marvel or DC.
Also what KIDS like and what adults like are two different beasts.
Yes Batman and his lot are popular HOWEVER not everyone wants to read about them.
Just looking at the kids I see at cons-who they want to read about is a who's who's of characters that grown men throw fits about.
Static, John Stewart, Moon Girl, Ms Marvel, Miles, Cassandra Cain and OG Wally West. Along with Fantastic Four, Falcon and so on.
So who do you go with? Crybaby men or endure that backlash to get kids?