Some people say
that writing novels is better than writing comic books. That being a novelist
is better than being a comic book writer.
I’m a novelist. And
I’m a screenwriter. And I’m also a blogger. And over the last 25 years as I’ve written
and published over eight novels, six nonfiction books, two screenplays, scripts
for two seasons of a TV series, three series of novelettes and hundreds of
articles I always held out hope that one day I’d finally get the opportunity to
write a comic book.
I never thought it
was a step down writing comics like some elitists in the literary crowd believe
them to be. I never thought that novels were better than comic books. For me, comics, novels, and movies were
all the same thing: stories.
As I see one medium
isn’t better than another. It’s how a writer tells a story in that medium that
makes it great. A great writer can use the same storytelling approaches in
comic books that they use in a novel. And they can utilize many of the great
story elements like irony, foreshadowing, symbolism and in a comic book the
same way they do when they’re writing a novel. It’s the skill of the writer
that makes the story great, not the medium they tell that story in.
A bad novelist like
E.L. James can give us the Fifty Shades books. While a great comic writer like
Alan Moore can give us Watchmen.
When I was four
years old, my brother’s comic books were my gateway to reading. And as I got
older they were my motivation to start writing. The main reason why I started
writing when I was nine because I couldn’t draw the pictures in comic books. So
I made the pictures with words. And as I learned how to translate the pictures
I imagined in my head into words on a page I always wondered what they’d look
like on the page of a comic book.
When I couldn’t
break into the comic book industry in my twenties I spent over two decades
refining my craft writing novels, screenplays and blogs working towards the
goal of writing comics one day. The way I see it writing novels, nonfiction,
screenplays and blogs over the last 25 years doesn’t make me a better writer
than a comic book writer. It doesn’t put me in higher position than a comic
book writer. It’s just how I learned the craft of storytelling.
What most people
don’t know is most of my characters like Isis, John Haynes and E’steem were
originally supposed to be comic book characters. But because I couldn’t get
work in the industry I wound up turning them into characters in novels instead.
Over the last four
years I got a chance to see what my words would look like as pictures in a
comic book on all the covers that Bill Walko designed for the Isis series and
the covers Mike Williams designed for The Legendary Mad Matilda and JohnHaynes: A Conversation With Death. The story for those covers came from the words
I wrote (and crappy drawings) I drew. And those stories got comic fans and
everyday people paying attention to my stories and buying my work.
Seeing the stories
being told on Bill and Mike’s covers showed me that I could use all the skills
I learned from working on novels and screenplays to tell a story in the comic
book medium. And I believe could be part of a team that told a great story in a
comic book if given the chance. As I was writing Isis: All That Glitters
novelette I took everything I learned from screenwriting and writing novels and
started working on my first comic script. And with the Isis: All That Glitters
Graphic novel I wanted to give readers a comic that was like an Isis series
book come to life in pictures. I studied everything I could about comics as I
worked on that script so that it could be as well crafted as one of my Isis
series books.
What I’m working
towards now with the upcoming Isis indiegogo is the opportunity to finally see
how one of my stories would be told from comic panel to comic panel. With the reimagining of the oldschool
bank robber comic book story in Isis: All That Glitters I want to give readers
the action-packed all-ages comic book I used to read when I used to go to the
grocery store in Junior High and the newsstand at Times Square when I was 14.
The kind of comic that turned me into a lifeflong comic fan. And the kind of
comic I hope will make readers longtime Isis fans.
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